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Dee storms out, telling the other women that they're living in the past. Mama describes herself as a big-boned woman with hands that are rough from years of physical labor.
A loving mother, her frank, open nature prevents her from deluding herself when it comes to her daughters' weaknesses.This is because older forms of literature, including Ancient Greek tragedies, were much more focused on plot.Characterization increased in popularity as scholars began to consider psychology as a scientific field, especially from the 19 century onwards.Mama has a strong understanding of her heritage and won't allow Dee to take the family quilts.Maggie The shy, retiring daughter who lives with Mama.Characterization includes both descriptions of a character’s physical attributes as well as the character’s personality.The way that characters act, think, and speak also adds to their characterization.Setting The Narrator's Yard and House, Late 1960s / early 1970s, Rural Georgia Point of View First Person (Central Character) - Our narrator is working really hard in this story—not only is she narrating the whole thing, she's also a central character. Symbolism Quilts ""Everyday Use" focuses on the bonds between women of different generations and their enduring legacy, as symbolized in the quilts they fashion together.This connection between generations is strong, yet Dee's arrival and lack of understanding of her history shows that those bonds are vulnerable as well.She claims that Mama and Maggie don't understand their heritage, but she is the one overlooking the important aspects of her family history.Hakim-a-barber Dee's boyfriend or, possibly, husband. Hakim-a-barber is a Black Muslim whom Mama humorously refers to as Asalamalakim, the Arab greeting he offers them, meaning "peace be with you." An innocuous presence, he is a short and stocky, with waist-length hair and a long, bushy beard.