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So were his detective stories, such as “The Murders in the Rue Morgue” (1841), which historians credited as the first of the genre.
As a poet, he achieved fame with “The Raven” (1845).
One of a series of works aimed at presenting contemporary critical opinion on major authors, this collection includes essays by Henry Nash Smith, Van Wyck Brooks, Maurice Le Breton, Kenneth Lynn, Leo Marx, Walter Blair, Daniel G. Topics covered include Mark Twain's humor, "Tom Sawyer,""Huck and Oliver,""A Connecticut Yankee: The Machinery of Self-Preservation," and the despair of Mark Twain and Henry Adams over the lost America.
Assignment Of Judgement - English Critical Essays Nineteenth Century
Designed for use by both literary critics and secondary and college teachers of English, this work also is of value to undergraduate and graduate students of literature.--- SUMMER READING The reading load for this module is comparatively heavy, as many of the novels, while very rewarding, are also very long.It is therefore a REQUIREMENT of taking this course that you read at least two course novels (I recommend, because week 10 is always a struggle) during the summer vacation.Don't despair, there are plenty of other texts on the module that you will get on with.If you would like to undertake some secondary reading, useful starting-points would be: At least one of these three from The Oxford Handbook of the Victorian Novel, ed. Peter Garside, 'The Early C19th English Novel, 1820-1836' b.Still later, however, under the influence of Wordsworth and other Romantics, he wrote nature lyrics that vividly represented the (1809), by “Diedrich Knickerbocker,” a burlesque history that mocked pedantic scholarship and sniped at the old Dutch families.Irving’s models in these works were obviously Neoclassical English satirists, from whom he had learned to write in a polished, bright style. Cox, Leslie Fiedler, Bernard De Voto, and Tony Tanner--all dealing with the biography and literary work of Mark Twain.A chronology of important dates in Twain's life, a brief set of biographical notes on the contributors to this collection, and a brief review of bibliographical sources complete the volume.His gothic tales of terror were written in accordance with his findings when he studied the most popular magazines of the day.His masterpieces of terror—“The Fall of the House of Usher” (1839), “The Masque of the Red Death” (1842), “The Cask of Amontillado” (1846), and others—were written according to a carefully worked out psychological method.