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In the story "Rip Van Winkle", Irving focused upon an intuitive theme or insight about human life that is revealed in a literary piece.
But there is another space that permeates both of these spaces: the wilderness.
Rip Van Winkle encounters the possibility of a transformation in the wilderness.
The effective use of auditory senses added interest to the setting, such as "the birds were hopping and twittering through out the bushes" and "the noise of the balls, which, whenever they were rolled, echoed along the mountains like rumbling peals of thunder".
The use of time and location played an important part of the waking of Rip Van Winkle, the...
The American Revolution has come and gone, and now there is a new social order. And this space, whatever you want to call, it permeates the West. Mountain lions wander suburban yards in the outskirts of Seattle.
I found an Auburn High School towel hanging from a branch on a ridge miles from the nearest trail and dozens of miles from the nearest road.And in this space, Winkle gets drunk, falls asleep, and when he wakes it is not clear to him that twenty years have passed. He returns to his village to find that American Progress has continued.Where a twenty-year difference was hardly noticeable in the wilderness, the village is hardly recognizable. There is a space in America outside, or under, or beyond the city and country.The wilderness is contained or even encapsulated by an urban point of view.But at the same time in almost all of these paintings, despite their luminous browns and greens, there is the physical and physic space of the wilderness that is outside settlement.From an opening between the trees he could overlook the lower country for many a mile of rich woodland.” The novelist, critic, and publisher, Matthew Stadler wrote in his essay published in the Painters [in America] had no society, only the picturesque conventions they had brought with them. The problem wasn’t broadly American; during these same middle decades of the nineteenth century, the painters of the Hudson River school, including Sanford Gifford, Thomas Cole, and Frederic Church, pioneered what came to be known as American luminism.The advantages that helped catalyze their innovations expose, by contrast, the unique shape taken by the regime of picturesque out West.Visual descriptions such as "when the weather is fair and settled they are clothed in blue and purple" and "small yellow bricks" allowed the reader to quickly visualize the setting.Irving's use of emotive language, by introducing words such as "henpecked husband", "squabbles", and "evening gossiping", allowed the reader to identify emotions and feel part of the story.The painting is framed by a bundle of wilderness, and in the distance a slough curls through a cultivated landscape.The contrast of wilderness to farmland is picturesque.