In Plath the personal concerns and everyday role are transmuted into something impersonal, by being absorbed into a timeless mythic system.The poetry of Lowell and Sexton relates their narratives; in Plath—although many narrative details of her mythic system are drawn from her life—the emphasis is more on expressing the structure of her state of being.
In Plath the personal concerns and everyday role are transmuted into something impersonal, by being absorbed into a timeless mythic system.The poetry of Lowell and Sexton relates their narratives; in Plath—although many narrative details of her mythic system are drawn from her life—the emphasis is more on expressing the structure of her state of being.Tags: Uc Irvine Creative Writing MajorQualitative Dissertation Defense QuestionsIs Macbeth A Tragic Hero EssayAssignment WritersEssay Informal Letter Give AdviceThe Dialogic Imagination Four Essays Table Of Contents5th Grade Biography Book Report
One must be wary of the tempting 'high Priori road,' as Pope calls it: of fitting data into preconceived designs, the temptation to neaten and intensify and thereby to falsify the often disorderly order of time.
Biography's strength and its integrity are ones of subject matter, of honorable and tasteful treatment of an interesting subject." What makes biographies of Plath so controversial is that her widower, the English poet Ted Hughes, is still an active writer who insists, through his sister Olwyn Hughes, on maintaining a high degree of privacy concerning his years with Plath.
Two more notebooks survived for a while, maroon-backed ledgers like the '57-'59 volume, and continued the record from late '59 to within three days of her death.
The last of these contained entries for several months, and I destroyed it because I did not want her children to have to read it (in those days I regarded forgetfulness as an essential part of survival). By destroying this late journal, Hughes has done a disservice to Plath and to scholars and other interested readers.
And this could hurt somones self esteem, and could damage the way someone looks upon ones self.
In the poem the girl tries to make her self prettier, by creating artificial pretty ness. The poem & the article compare about how the way people look ad feel, and how society has a role on their lives.
Indeed, Malcolm questions the efficacy of the biographer's project—capturing a person's life—and wonders if the biographer is, in fact, more of a burglar than a benefactor. Reid, for instance, argues in Necessary Lives (1990) that "biography ought to be as well written as a novel; but it should not try to be, or to feel like, a novel.
Several other writers have also pondered this predicament. Biography becomes a fine art when it performs superbly within the right limits of its own nature….
Suggesting that the motives of biographers are less than altruistic, if not intrusive, Malcolm's book concentrates on her lengthy research process, particularly dealing with Olwyn Hughes, the executor of Plath's literary estate, and interviewing other Plath biographers to discuss how writing their biographies affected them personally.
Among the issues Malcolm addresses is the right to privacy of living persons who were associated with the biographer's subject and how those rights interfere with the biographer's attempt to produce an accurate portrait.